Accomplished cellist, Dr Thokozani Mhlambi, is set to host a free international concert later this month, live from Paris, celebrating an African legacy.
The 35-year-old KZN-born composer and cellist, who is currently based in Paris, is set to showcase Indlela ebheke e-Azania on 23 July – his latest musical offering – after having released his debut album, Zulu Song Cycle, last year.
Mhlambi is not your usual musician. Apart from playing the cello, singing and composing his own songs, Mhlambi also uses his art and exhibitions in order to convey African stories/philosophies.
The first part of this musical work is ‘Indlela’: which covers the journey traversed by abahwebi to distance lands in the region.
The second part is called ‘Rhapta’: which remembers the city-life of this trade port, as well as its strong communities surrounding it.
The third part is called ‘Kuumbi’: which is about the cave which acted like a hotel, where sojourners would stay whilst conducting their business in the trade vicinity.
Mhlambi, who received his Phd in Music at the University of Cape Town, has been based in Paris since January earlier this year. He says he is proud to celebrate African legacies through this work.
“This is a very important story about our African internationalism, which is important to tell at this time given the global movements such as #BLACKLIVESMATTER, what people of African descent are saying all over the world, is that they want to be seen, and recognised even in the content they view. The digital format of the concert allows people anywhere in globe to check it out.”
Mhlambi has showcased his work at leading platforms such as the National Arts Festival in Makhanda (Grahamstown), Baxter Theatre, Soweto Theatre and most recently State Theatre in Pretoria—where he has drawn audiences from all walks of life.
He has also been visiting lecturer at universities in Finland (Jyvaskyla), Brazil, to mention a few. And has had opportunities to perform and speak in places such as New Orleans, São Paulo, Maputo (Mozambique), New York and Vancouver (Canada).
In 2019, he collaborated with revered Chinese visual artist Dachan, in a live performance/installation at the Zeitz Mocca Museum in Cape Town.
Mhlambi says the decision to host a free concert was to access a global audience.
“We needed a format that is considerate for the times, where social distancing is a big issue. But also the online format opens it up for audiences to be able to watch and not to feel excluded.”
This musical production is presented through the partnership of Afropolitan Explosiv, Baxter Theatre, Goethe-Institut and the Re-centring AfroAsia: Musical & Migrations in the Precolonial Period (700-1500AD) project at the University of Cape Town.
Link to the performance which goes live on 23 July 2020 at 8:00pm: https://kulturama.goethe.de/event/indlela-ebheke-e-azania-1379
For more details about Thokozani, visit his website: http://thokozanimhlambi.com or on Facebook: @thokozani.music
MORE ABOUT THOKOZANI NDUMISO MHLAMBI
Born in Madadeni, KwaZulu-Natal, after fulfilling music studies in South Africa & Sweden, Mhlambi received his Phd in Music at the University of Cape Town. In South Africa, he has showcased work at leading platforms such as the National Arts Festival, Baxter Theatre, Soweto Theatre and most recently the State Theatre in Pretoria—where he drew audiences from all walks of life.
He has also been a visiting lecturer at universities in Finland (Jyvaskyla), Brazil, to mention a few. And has had opportunities to perform and speak in places such as New Orleans (Tulane), São Paulo, Maputo (Mozambique), New York and Vancouver (Canada).
Recently he was an invited contributor to the roaming academy of the Dutch Art Institute, an itinerant program fostering a variety of creative practices at the intersection of art & theory.
In 2019, he collaborated with revered Chinese visual artist Dachan, in a live performance/installation at the Zeitz Mocca Museum in Cape Town.
In 2020, Mhlambi was selected as an Artist in-Residence at Cite International Des Arts in Paris, supported by the Institut Francais. He used the time to connect with artists from different parts of the world, and more specifically the African continent, and to develop new creative work.
In his research activities, he is interested in the archive of ‘early African Intellectuals as Composers’, which includes the likes of Enoch Sontonga, John & Nokutela Dube, Reuben Caluza, to mention a few. He also has an interest in precolonial African artistic-crafts specialists, as part of the Re-centring AfroAsia: Musical & Human Migrations project at UCT.
